
- Place
- Šiauliai City Municipality
- Region
- Šiauliai
- Type
- active state repertory drama theatre
- Address
- 155 Tilžės Street, LT-76297 Šiauliai
- Coordinates
- 55.93204, 23.31546
- Visit duration
- 2-3 hours for a performance; 15-25 minutes for the exterior
- Best time
- in the evening with an advance ticket for a chosen performance
Šiauliai Drama Theatre, VŠDT
A professional stage founded in 1931
The theatre dates its beginning to September 23, 1931, when Carlo Gozzi's Princess Turandot was staged in Šiauliai under the direction of Borisas Dauguvietis. Its first director was actor and cultural organiser Juozas Staniulis. The official history describes it as Lithuania's second professional theatre, with a mission focused on northern Lithuania.
The company was transferred to Klaipėda in 1935. It returned to Šiauliai four years later after Germany annexed the Klaipėda Region. That interruption matters: this institution is a continuing company and repertory tradition, not simply a venue opened in a later building.
An interwar cinema became the theatre's permanent home
The building on Tilžės Street was conceived as a cinema and retains an interwar modernist character. Its current facade is easy to recognise by the cream side walls, dark brown metal-clad central volume, narrow vertical windows, curved entrance canopy, broad steps and accessible ramp.
The theatre's official account states that the company moved into the permanent building in 1940. Productions now appear in the Main Hall and the more intimate Small Hall, and the venue is always named in the repertory listing.
Choosing a performance and seat
The programme combines Lithuanian and international drama, classics, new writing and work for younger audiences. Before buying, read the age guidance, duration, interval information and any warning about strobe lighting, loud sound or other effects.
Central stalls usually offer a balanced view of a Main Hall production, while almost every seat in the Small Hall feels close to the actors. Scenography can alter the normal relationship between stage and audience, so use the seating plan for that specific performance rather than relying on a general rule.
The repertory as a cross-section of theatre history
The Encyclopaedia of Lithuania identifies distinct creative periods: Aurelija Ragauskaitė reinterpreted Lithuanian drama in 1974-1979, while Saulius Varnas developed a more philosophical theatrical language in 1980-1988 and invited artists from Latvia and Estonia. These chapters explain why the company matters beyond its home city.
In the twenty-first century, classics have shared the repertory with new Lithuanian writing and collective works addressing urban memory and difficult social questions. When choosing, consider the director, creative team, and production date as well as the familiar title: a new staging can make the same play a very different evening.
Tickets, accessibility and arrival
The building opens around its repertory rather than operating as an all-day museum. Performances and prices were listed on the official site when checked on July 22, 2026, but the schedule and remaining seats change; confirm them again before travelling.
The theatre states that both halls accommodate visitors with mobility needs. A lift serves the Small Hall, and a platform lift reaches the Main Hall balcony. Wheelchair spaces and a companion ticket should be arranged in advance. Arrive at least 20 minutes before curtain-up for ticket collection, the cloakroom and seating.


