Lithuanian traditional architecture

Windboards, Cornices, and Openwork Carving: Lithuanian traditional architecture

Windboards, cornices, and openwork carving protected roof and wall edges while also decorating the wooden house. These details shape facade rhythm, eave shadow, roof-end silhouette, and the regional character of wooden architecture.

Category

Roofs and Ornament

Type

Wooden facade and roof-edge details

Source status

well attested

Names and variants

Windboard, Cornice, Openwork carving, Pierced ornament

What are windboards, cornices, and openwork carving?

Windboards protect roof edges, cornices form the eave edge and protect walls, and openwork carving is a woodworking method that creates pierced ornaments.

Together these details make a wooden house recognizable. They join practical protection with the visible hand of the craftsman. According to VLE, the word karnizas, cornice, comes from German Karnies and ultimately from Greek korōnis, meaning completion; in classical architecture a cornice is the upper projecting part of an entablature, often decorated with dentils and relief ornament.

Weather protection

Wide overhangs, cornices, and windboards protect log walls from rain, snow, and wind. Without them the wood becomes wet and decays more quickly.

For that reason a decorative detail often has a very practical cause.

Ornamental motifs

In Dzūkija and Aukštaitija, windboards, gable edges, small roofs, and other details were cut with dentils, arcs, small circles, plant silhouettes, or geometric forms.

Openwork carving gives wood a sense of lightness. It is especially visible on roof ends, porches, and windows.

Restoration mistakes

A common mistake is replacing old windboards and cornices with standard boards without profile. The building remains technically covered, but loses its face.

Before replacement, the width, profile, pattern, joints, and paint layers of old details should be measured.

Windboards, Cornices, and Openwork Carving sources