Trepute the Young Wife lyrics and meaning

Trepute martela linelius pasėjo
Trepu, treputėla, marti lelijėla

Trepute martela linelius akėjo…*
Trepute martela linelius nurovė…
Trepute martela linelius paklojo…
Trepute martela linelius pakėlio…
Trepute martela linelius išmynio…
Trepute martela linelius suverpio…

* Slaviūno dainyne: linelius sėja, akėja, nurove, pakloja, prikėla, išmyne, suverpe.

*** Skominų kaimas, Pabaisko vls., Ukmergės apskritis. Slaviūno dainyne SlS III-1304 a.

Trepute the Young Wife: sutartinė interpretation

This sutartinė with the refrain "trepu, treputėla, marti lelijėla" can be understood as a work song about a young wife processing flax. The lines name the actions in sequence: she sowed the flax, harrowed it, pulled it, spread it, lifted it, broke it, and spun it. The list gives the full chain of flax processing as the work of the marti.

The repeated structure, in which only the action changes, is typical of work sutartinės: it helps keep rhythm and remember the order of tasks. The refrain compares the young wife with a lily, adding tones of beauty and maidenhood to the work scene.

A second reading focuses on the fact that the entire path of flax, from sowing to spinning, is done specifically by a marti rather than simply by a girl. The song can be heard as the establishment of a new family member: through work, the young wife proves her value and her place in her husband's household. In wedding custom, the young wife could be carefully watched in her first years to see whether she knew the full range of women's work. The listed flax-processing chain therefore becomes a symbolic proof of maturity and acceptance. The refrain "marti lelijėla" compares her to a lily, a sign of beauty and maidenhood, so the work song also remains a quiet praise of the bride.

Trepute the Young Wife: symbols and phrases

Martelė
The young wife processing flax. She represents a new, industrious family member who proves her worth through work.
Flax
The crop being sown and processed. Flax was a key raw material for cloth and a central part of dowry work.
Chain of actions: sowed, pulled, spun
The ordered stages of flax processing mark the whole work cycle and confirm the young wife's maturity.
Refrain "marti lelijėla"
A refrain that likens the young wife to a lily, marking her beauty and the lingering aura of maidenhood.

Trepute the Young Wife: sutartinė history

"Trepute martela" is listed in Slaviūnas's collection as volume III, no. 1304a and is associated with Skominai village, Pabaiskas rural district, Ukmergė county. It is a work sutartinė with the refrain "trepu, treputėla, marti lelijėla," naming the whole path of flax processing performed by a marti, a young wife or daughter-in-law. In Slaviūnas's text the verb forms differ slightly: sėja, akėja, nurove, pakloja, prikėla, išmyne, suverpe.

Work sutartinės are the most numerous in Lithuanian tradition, and flax-processing songs are among the most archaic. Sutartinės flourished in north-eastern Aukštaitija from the sixteenth to the nineteenth century; in 2010 they were inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity.

sources

  • Z. Slaviūnas. Sutartinės, vols. 1-3 (1958-1959), III-1304a
  • D. Račiūnaitė-Vyčinienė. Sutartinės: Lithuanian Polyphonic Songs (2002)