The Oak's Branches Bent lyrics and meaning

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Užuolėlio šakos linko, /3x Kai mus jaunus karan rinko Užuolėlio šakos linko, Kai mus jaunus karan rinko Ir surinko surikiavo /3x Šautuvėliais apginklavo Ir surinko surikiavo Šautuvėliais apginklavo Šautuvėliai kieto plieno, /3x Nukaus priešus ligi vieno Šautuvėliai kieto plieno, Nukaus priešus ligi vieno In vagonus susodino, /3x Kur mus veža nieks nežino. In vagonus susodino, Kur mus veža nieks nežino. Vagonėly sėdėdami, /3x Pro langelį žiūrėdami Vagonėly sėdėdami, Pro langelį žiūrėdami Matyc kloniai ir kalneliai, /3x Bet nematyc ma šalelė. Matyc kloniai ir kalneliai, Cik nemacyt ma šalelė.

Meaning

This song can be understood as a modern-era war or conscription song. At the beginning it says that the oak's branches bent when we, the young, were gathered for war. The bending branches can be interpreted as a sign of sorrow as young men are taken into war.

The gathered men are then lined up, armed with hard-steel rifles, and seated in railway wagons, with no one knowing where they are being taken. These images can be understood as mass conscription and transportation into uncertainty by rail.

At the end, sitting in the wagon and looking through the window, they see valleys and hills, but do not see their own land. This image can be interpreted as separation from the homeland. That is one possible meaning, but the motifs of conscription into war and longing for the homeland are clear in the song.

Symbols

Bending oak branches
Oak branches bending as young men are taken to war. They mark sorrow.
Gathering the young for war
Young men being taken into military service. It marks forced conscription.
Hard-steel rifles
Steel rifles given to the conscripts. They mark the weapons of war.
Railway wagons
Train wagons carrying the men into the unknown. They mark removal far from home.

History

"The Oak's Branches Bent" belongs to military-historical songs, more precisely to a later layer reflecting the experience of modern mass war. A traditional lyric image - the bending branches of the little oak - is placed beside the taking of young men "to war," and then joined with new twentieth-century realities: steel rifles, formation, railway wagons, and transportation into the unknown. This combination of old nature imagery and new technical realities is typical of newer conscription songs.

The exact recording place and time are not given on this page, so the song is presented by genre signs and theme; the images of railway wagons and rifles of "hard steel" allow it to be connected cautiously with First World War or later conscription. The repeated refrain pattern and the closing image - valleys and hills seen through the wagon window, but not "my land" - strengthen the motif of separation from home.